“Mastering the Gold Sunburst Design” Workshop at Sikka Festival
The School of Calligraphy and Ornamentation participated in the Sikka Festival by presenting a specialised workshop titled “Mastering the Gold Sunburst Design.” The session attracted strong attendance from enthusiasts of Islamic art and manuscript traditions, taking place in an atmosphere marked by focus and positive engagement.
The workshop began with an introduction to the concept of the “Shamsa” (sunburst), one of the central decorative elements in Islamic manuscripts. Traditionally positioned at the centre of a page, the Shamsa is constructed according to a precise geometric system that balances form and ornamentation. Participants were introduced to its historical role in highlighting chapter openings or titles, as well as the evolution of its forms across different artistic schools over time.
The workshop covered the stages of designing the sunburst, starting with the initial geometric planning, followed by drafting the internal divisions and ensuring balance between decorative elements and surrounding spaces, and culminating in the application of gilded layers. The instructor explained the practical steps of preparing the surface, defining gilding areas, and handling gold in a way that preserves its purity and brilliance.
During the practical segment, participants were given the opportunity to create their own designs, with direct guidance to refine fine details and master the outlines surrounding the gilded areas. The process required concentration and patience, particularly when emphasising decorative borders and achieving contrast between the gold and the coloured background.
The completed works reflected varied visual interpretations while maintaining the fundamental principles of composition. The golden accents appeared harmoniously integrated within the geometric framework, demonstrating a practical understanding of the execution stages. Discussions throughout the session further deepened participants’ appreciation of gilding as an art form that combines technical precision with aesthetic sensitivity.
This workshop is part of the School of Calligraphy and Ornamentation’s ongoing participation in cultural events, designed to offer hands-on learning experiences that introduce audiences to traditional arts and enable them to engage with these practices directly. It also reflects the School’s commitment to sustaining manuscript arts within a contemporary context, while preserving their authenticity and artistic integrity.
